APV RB2 DVD
Capturing Coastal Moods
|Language:||English 95 mins|
|If you require NTSC copies please click here...|
|Price:||£28.55 (Inc VAT where applicable + P&P worldwide)|
Ray takes us to some of his favourite haunts on the spectacular coastline of Cornwall and demonstrates his unique approach to painting using watercolour and pastel combined. Stunning locations include Porthleven Harbour, the estuary at Gweek and the rugged cliffs of Mullion Cove. He is a strong advocate of painting en plein air, his main objective being to capture the mood and Ďspirití of a place. He also shows how sketching in charcoal plays a vital role in capturing the essence of a scene.
This DVDis also available packaged with Ray's Book "Travelling Light" More info here...
This film is also available to view ONLINE through Video On Demand
The title of this give you an implicit hint as to what it isnít. Itís not a guide to painting maritime subjects. How so? Well, as Ray tells us at the beginning, ďIím a great advocate of working on location. A sense of place is important, not just to capture what I see, but what I feel.Ē And thatís the essence of what heís demonstrating here: itís not the coast, itís the mood. He continues, ďIíve painted here a few times. Itís that connection with the place thatís importantĒ. Itís a theme that pervades the entire film and, since weíre quoting, hereís another: ďIím not looking to make an accurate representation, Iím looking to make a picture Ö as long as it looks like a boat, Iím happy.Ē (Iíve conflated two things, there, but you get the ÖerÖ picture).
Ray is known as a mixed media artist, but Iím going to burst another bubble while Iím on a roll. Heís not. What I mean is that he doesnít paint mixed media because thatís how heís pigeon-holed himself. Heís not really a media man at all. Yes, he uses pencil, felt-tip, Contť, pastel and gouache, almost always in that order, but only because theyíre what he needs for a particular effect. Itís more like a conductor bringing in the various parts of the orchestra to provide tone, shade and colour Ė highlighting the violins here, backing them up with woodwinds and cellos, adding colour with the brass and then using tympani to bring the whole thing to a crescendo. I should also say that Ray not only makes this look the most natural thing in the world (you may even conclude that using only one medium is to restrict yourself quite unnecessarily), but also easy. It isnít, of course, and itís his supreme confidence and virtuosity that allow him to achieve what he does.
Youíll notice that I havenít once mentioned the subjects that Ray paints here. Thatís deliberate as I think that to describe this film factually would be to miss the point entirely. This isnít about what Ray paints, but how he does it and thereís a degree of alchemy to that. There are, though, five full demonstrations, all filmed in Cornwall, as well as a studio-based postscript which includes a look at a painting worked up from a sketch done in unpromising conditions in Gweek boatyard.
LEISURE PAINTER - May 2015
Watching the new Poldark series on television has reminded me of how magnificent the Cornish coast is. This new DVD by Ray Balkwill captures that magnificence perfectly using his unique method of combining watercolour and pastel in one painting. Ray believes strongly that in order to capture the character of the place, itís important to paint in situ. Locations featured include Porthleven Harbour, the estuary at Gweek and the cliffs at Mullion Cove. Itís inspiring to watch Ray at work and to take away with you some of that magic yourself so that you can capture your own coastal moods. As with all APV Films, the quality of the film is excellent.
THE ARTIST - May 2015
Review by Henry Malt
Two words that appear repeatedly in this enlightening film sum up Rayís approach to painting: Ďshapeí and Ďemotioní. He also talks about shape in relation to composition and to the way the colours appear. Ray is often described as a mixed-media painter and itís true that he works with pencil, pastel, felt-tip and gouache, often in quite specific order. However, this is not to follow a specific technique or genre, but rather as a composer uses all the instruments of the orchestra to create tone, colour and body. Ray makes it look easy, but thereís a lifetime of experience that brings the confidence to take risks.
Reviews are shown below. Why not submit your own review?
(10/10) Submitted by: David Barr 31-Oct-2014
I thoroughly enjoyed this dvd, the skill,technique and instruction given by Ray is superb added to this the excellent venues. Thank you Ray and APV
(10/10) Submitted by: Steve x2G 6-Dec-2014
This is one of the best artists around. he hides nothing in his DVDs. What you see is what you get. I have both of them now, and all his books. How I wish he would do a DVD each week. I would buy them all.
Painting The Light In Oils - Haidee-Jo Summers
My Obsession with Watercolour - Robert Wade
Tonal Watercolours - Amanda Hyatt
Watercolour Plein Air - Andy Evansen
Planning Your Painting - Joseph Zbukvic
My Chinese Vision - Herman Pekel
A Simple Approach In Oils - Roger Dellar
Painting Arles - Peter Brown